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While his writing of The Poltergeist is nowhere near as unhinged as Tender Napalm, Philip Ridley brings us an enthralling new play following our loose-cannon p...
Philip Ridley’s Vincent River returns to the stage with the same magnetic intensity, despite an 11-year absence from the stage. A play seemingly ahead of its ti...
It feels fictional but never absurdist, outlandish but never untenable. Andrea’s (Emily Thornton) situation is shocking and slightly outrageous, but is ultimate...
I walk out of Killer with relief, a huge grin, and a lingering chill down my spine. Above all, I want more, and that's how I know that the play has done its bes...
Deep in the bowels of Shoreditch Town Hall, Jamie Lloyd's production of Philip Ridley's first ever play, The Pitchfork Disney, is staged. In the long, dimly lit...