Review: Exit the King, National Theatre
“An attempt at an apprenticeship in dying” That is Eugène Ionesco’s ambition when he writes his most classical play Exit The King in 1962. Being part of the ...
Patrick Marber
Review: The Red Lion, Trafalgar Studios 2
After a sell-out run at Newcastle’s Live Theatre, Patrick Marber’s The Red Lion makes it West End debut at Trafalgar studios. A tale of ambition, idealism, and ...
Review: Venus In Fur, Theatre Royal Haymarket
Venus, Aphrodite, or the Goddess of Love. ‘Love’ was a loosely applied term in Ancient Greece, one that could often have been replaced with lust; all-consuming ...
Review: Don Juan in Soho, Wyndham’s Theatre
Soho serves once more as the backdrop for this new version of Patrick Marber’s previous ‘loose adaptation’ of Moliere’s tragicomedy Don Juan. Not much has chang...
Review: Dealer’s Choice, Milton Court Studio Theatre
Patrick Marber’s three act play Dealer’s Choice is in many ways a well-chosen piece for an actor’s showcase. It presents the five students of Guildhall with a s...
Review: The Red Lion, National Theatre
Does money talk louder than loyalty, trust, and the beautiful game? These are among the many pressing questions raised by Patrick Marber’s accomplished new play...