4.0
Review: Tinted, VAULT Festival
The Me Too Movement and #Metoo are as synonymous with this past decade as the terms Climate Emergency, March for Our Lives and Brexit. Initially used by activi...
New Writing
4.0
Miriam Battye: “ I’m growing as a human and as a woman”
After developing it during the Royal Court Writer's programme, Miriam Battye is ready to conquer the stage with her play, Scenes with Girls. She talks to Halim...
3.0
Review: Blood Orange, Old Red Lion Theatre
In her self-written one-woman show Blood Orange, Tania Amsel takes us on a journey through England’s hospitals and the daily life of NHS’s nurses. With a dark ...
Being Given Space Should Be Normal, But it is Completely Exceptional, Rare and Should be Applauded
Julia Head went from working Box Office at the Bristol Old Vic with her friend Marek to forming theatre company, Full Rogue. Now their show, Wild Swimming is o...
The State of New Writing: Administrative Minefield or Grassroots Revolution?
During this month, Theatre 503's 'Summer Takeover' has offered us creatives advice to help further our careers. Invited to the closing event, Blue Huseyin won...
Francesca Forristal: “Once you understand it you can laugh about it”
Emma Bentley talks to Francesca Forristal about her solo show, Oddball which aims to remove the stereotypes surrounding eating disorders and a 'hero' narrative...