Jonathan Goddard: “I find the darker characters easier to play”
Man of many talents, Jonathan Goddard talks to Josephine Balfour Oatts about his exciting new, Arthur Pita helmed dance piece, The Mother. Luckily, the pill...
Natalia Osipova
Review: Mayerling, The Royal Opera House
There are some episodes in history that are morbidly fascinating. The story of Crown Prince Rudolf of Austria-Hungary (1858-1889) and his life of excess, frustr...
Review: Natalia Osipova Triple Bill, Sadler’s Wells
Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commis...
Review: Ardani 25 Dance Gala, London Coliseum
Few programmes of dance this summer can boast such a prestigious cast as the Ardani 25 Dance Gala. Featuring principals from the Royal Ballet, American Ballet T...