4.0
Review: Invisible Boundaries, Live Theatre
For the most of Invisible Boundaries, it’s easy to forget that this performance is being shown on screen. The short follows Kelly (Jackie Edwards) and Ryan...
Live Theatre
4.0
3.0
Review: Amai Vangu – My Mother, Live Theatre
Amai Vangu – My Mother is a challenging watch for multiple reasons First of all, there’s a cruelty that pervades throughout the entire piece in the form of ...
Working For The Coronavirus Theatre Club: “It’s a Weird Honour”
Feeling like his theatre company was picking up speed, Jasper Frost was on cloud nine until the pandemic struck. He talks to Samuel Nicholls about what it's no...
Review: The Red Lion, Trafalgar Studios 2
After a sell-out run at Newcastle’s Live Theatre, Patrick Marber’s The Red Lion makes it West End debut at Trafalgar studios. A tale of ambition, idealism, and ...
Edinburgh Fringe Review: Key Change, Summerhall
Devised with inmates from HMP Low Newton, Open Clasp attempts to refocus perceptions of women in prison with Key Change. Five women tell their story, equipp...
A perfect future? Soho Theatre’s quest for Utopia
Merely subjective or a realistic ideal? Writers are in search of their personal utopia at Soho Theatre.