After her critically acclaimed Consent last year, which went on to transfer to the West End, Nina Raine has returned to the National Theatre with her new play, ...
Whoever commissioned Blue/Orange’s revival at The Young Vic is an evil genius. Has there ever been a more appropriate piece of theatre to represent today’s poli...
The motif of the tattoo defines Richard Jones’ production of the three act tragedy, Rodelinda. Italicised names - symbols of romantic devotion - are scrawled ...
The eponymous ‘Blackta’ is a black actor, one who is often there to fill a quota of non-white performers. This crackling satire from Nathaniel Martello-White pa...