Cressida Peever on Red Palace: “It’s not that we’ve become sexier in our interests”
Emma Bentley talks with Writer, Cressida Peever about Shotgun Carousel's new immersive, dining experience, the necessity of safe spaces and giving audience mem...
immersive
Review: For King and Country, Colab Factory
In a warehouse in London Bridge it is 1940, Lord Halifax is the Prime Minister, World War Two rages on and old timey music plays out of a stereo system somewher...
£10 Tickets for The End of History, Soho Theatre
A specially created site-specific new show at St Giles-in-the-Fields. What happens when two totally different Londoners find themselves face to fa...
Review: Medusa, The Crypt Gallery
The allure of redefining myth never fails to entice. It’s a rite of passage for many theatre companies, and with Medusa the experimental and immersive 27 degree...
Blog: Candlelight, compositions and a ‘dark gothic antidote to Yuletide cheer’
Palimpsest’s Katherine Tozer delves into the rich, but bittersweet lives of the Pre-Raphaelites as the company conjure with ghosts at William Morris’ former hom...
Review: Remote, Camden People’s Theatre
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