5.0
Review: Ian McKellen On Stage, Harold Pinter Theatre
Sir Ian McKellen is a story-telling machine of the highest calibre – even the creases about his eyes resemble that of a folded down page corner. Having recentl...
Harold Pinter Theatre
5.0
Review: Pinter Two: The Lover and The Collection, Harold Pinter Theatre
A confession: I am not sure whether I actually like Pinter. The last production I saw - Ian Rickson’s star-studded staging of The Birthday Party earlier this ye...
Blog: Unpicking the distinctive appeal of Edward Albee
The late Edward Albee is in vogue in the UK right now. Ian Rickson’s production of the US playwright’s The Goat, or Who Is Sylvia? starring Damian Lewis and ...
Review: The Importance of Being Earnest, Harold Pinter Theatre
It is always somewhat controversial when a production takes a classical, and daresay canonical, piece of drama and alters the text significantly. Countless clas...
Review: Relative Values, Harold Pinter Theatre
With family, it’s all relative. In Noel Coward's comedy Relative Values, we see a family dynamic entrenched in historic values disturbed by a shift in socie...
Review: Merrily We Roll Along
It took me a while to warm to Maria Friedman’s production of Merrily We Roll Along. At first I didn’t quite get it. I was bemused rather than enthralled, as...