3.0
Review: Beyond These Walls, Sheffield Crucible Studio
Is it Tennessee
Williams if there isn’t any jazz? Director Laurie Sansom certainly doesn’t
think so. Sansom does a fantastic job at establishing a tone. As you...
Guy Rhys
3.0
Review: Philip Pullman’s Grimm Tales, Unicorn Theatre
Am I no longer privy to the magic of the mundane? While the children which scatter the front rows are happily laughing along, calling out and interacting with t...
Review: Not Now, Bernard, Unicorn Theatre
The Unicorn theatre superbly produces the theatrical translation of David McKee’s everlasting book Not Now, Bernard. Sarah Argent’s direction has lead this stor...
Review: Saint Joan, Donmar Warehouse
In case you didn't know, Joan of Arc was born in 1412 in a small village in rural France. As she grew up, she claimed to experience visions of Saint Catherine, ...
Review: My Father Odysseus, Unicorn Theatre
My Father Odysseus, written by Timberlake Wertenbaker, is an adaptation of the historical Greek tragedy about the king of Ithaca and his family. Odysseus (playe...
Review: Pomona, National Theatre
What is immediately arresting about Pomona is the way in which director Ned Bennett and designer Georgia Lowe spill this dark and twisted world beyond the stage...