3.0
Review: The Musician: A Children’s Horror Opera, Belfast Ensemble
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fantasy
3.0
Pulitzer Prize finalist, Lisa D’Amour: “I don’t have to do things the way everybody else does them”
Memories of leaving her home in Sweden come flooding back for writer, Halima Hassan as she interviews Playwright, Lisa D' Amour. They talk about her new show, ...
Why there’s room for British Asian science fiction in theatre
Playwright Tajinder Singh Hayer on the inspiration behind his new play North Country, labels, identity, new genres, and why there’s room for more British Asian ...
Edinburgh Review: Once Upon A Nightmare, Laughing Horse at the Counting House
Once upon a time there was a girl called Sophie and her brother Andy. They were called into the dream land Somnia to get the dreamstone and save the world. I...
Hugh Hughes: the never ending story
What makes things real? What makes a story? Ellen Carr investigates the theatre phenomenon that is Hugh Hughes: alter-ego, online storyteller and spectacle game player.
Want to Write? – Interview with Booktrust Writer-in-Residence Bali Rai
Leicester-born Bali Rai is perhaps best-known for his novels (Un)arranged Marriage and Rani & Sukh, but he has achieved huge literary success writing fo...