Blog: What I Learned From Theatre Producing in 2016
AYT's Artistic Director and freelance producer Jake Orr reflects on the lessons of 2016, ahead of a new year of theatre producing. Inspired by Sarah Wilson’...
Edinburgh
Blog: Chrysalis festival – a vital platform for emerging talent
This week sees three days of ambitious and provocative work from young talent as Chrysalis festival runs in Edinburgh. Producer Fiona McCurdy explains why, agai...
Feature: Love, language and censorship – the bittersweet appeal of Lemons Lemons Lemons Lemons Lemons
“Freedom of speech is all well and good but it doesn’t matter if we’re not listening to each other” explains Sam Steiner, writer of award-winning play Lemons Le...
Edinburgh Fringe Review: Counting Sheep, Summerhall @ The King’s Hall
In February 2014, Kiev’s Maidan Square was overtaken by protesters taking a stand against their corrupt president Viktor Yanukovych and his increasingly anti-EU...
Edinburgh Fringe Review: Expensive Shit, Traverse Theatre
Adura Onashile’s new play Expensive Shit rises to its title, travelling between the bogs of a grimy modern-day Glasgow nightclub and The Shrine club in 1970s La...
Edinburgh Fringe Review: Eurohouse, Summerhall
Eurohouse begins with the audience holding hands in a circle. It is a simple but symbolic act in a piece that takes a sideways look at the once harmonious partn...