Review: Hear Me Raw, Underbelly George Square
Daniella Isaacs’ autobiographical play ‘Hear Me Raw’ is an important, emotional and sharply clever exploration of the many disturbing layers of ‘wellness’ and ‘...
Edinburgh
Review: How to Win Against History, Assembly George Square
How to Win Against History is one of those plays at the Fringe that has the double-edged curse of “hype”. Last year, it played in the tiny Box at Assembly Georg...
Review: Evocation, theSpace on the Mile
A design led, channel crossing Punch-and-Judy Belgian poetry reading with projection. If this sounds complicated, that’s because it is. Evocation is a beautiful...
Review: Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (A Rave Fable), theSpace
Set up in order to “reflect the diversity of the real world on stage”, Clumsy Bodies is a queer theatre company formed by disabled artists presenting their take...
Review: Heather, Summerhall
Heather, created by theatre company Dancing Brick, twists and turns around the story of an unexpectedly successful fantasy novel and the elusive author behind i...
Review: Me and My Bee, Pleasance Courtyard
Wide-eyed, wide-mouthed, and completely in awe, a child no more than seven years old watches in amazement as a grown man in a skin-tight bee costume tells the a...