"Can I come in?" The dramatic trope of the 'Third Man' is well established in theatre; from Harold Pinter's Davies in The Caretaker to J.B Priestley's Inspec...
Pegged as Eugene O'Neill's only comedy, Ah, Wilderness! is a neat balance of slapstick gags, drunken mayhem, impromptu verse recitals, and most pertinently, a g...
Berenice conforms to the governing rules of the 'unities' laid out by Aristotle, which require the play to be ‘coherent, a unified whole, within twenty-four hou...
There is an apt, echoing emptiness to the rooms of this Doll’s House. In the Young Vic’s new production of Ibsen’s domestic masterpiece, the superficial marit...