4.0
Review: Extraordinary Wall of Silence, HOME Manchester
With such a regular focus on the oral performance in theatre – always interested in the details of the delivery of a line – Ad Infinitum’s creative use of the ...
Deaf
4.0
Matt Gurney: “Some theatre companies use Deaf actors in a tokenistic way”
As Ad Infinitum's Extraordinary Wall of Silence starts its run at Bristol Old Vic, Co-Artistic Director, George Mann sits down with friend and colleague, Matt ...
I’d never been taught anything about deaf people throughout history
Paula Garfield, Artistic Director of Deafinitely Theatre writes about the importance of having deaf role models, real, authentic voices and creating a wonderfu...
I’m trying to dispel the myth that sign language is ‘other’
Jenny Sealey, Artistic Director of Graeae, a theatre company that boldly places D/deaf and disabled actors centre stage, writes about directing a new productio...
NEWS: Arts competition to encourage deaf actors and musicians launched
The National Deaf Children’s Society have launched the 2016 Raising the Bar competition, which encourages young deaf actors, musicians and dancers to showcase t...
NEWS: New technology aims to make theatre more accessible for deaf audiences
New technology could make the theatre more accessible for deaf and hard of hearing audiences. CaptionCue was tested at the National Theatre’s Temporary Theat...