Review: Carlos Acosta: The Classical Farewell, Royal Albert Hall
Carlos Acosta, world famous Cuban ballet prodigy is hanging up his ballet shoes and bidding farewell to the demands of Classical performance. It feels as if he’...
Dance
Review: Fagin’s Twist, The Place
Initially the description of Fagin's Twist suggests that the audience will learn more about Fagin's background and how he became the man in Dickens’ novel. Howe...
Review: Natalia Osipova Triple Bill, Sadler’s Wells
Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commis...
Review: The Way You Look (At Me) Tonight, Royal Festival Hall, Southbank Centre
Open, tactile, dynamic, strong, gentle. Mobile. Moving. These are only a couple of words that were on my mind while watching The Way You Look (At Me) Tonight, a...
Edinburgh Fringe Review: Terra Incognita, ZOO Southside
There are hundreds of shows up here at the Fringe - it can take quite a lot of digging to find some gems that will be the highlight of your visit. I've been doi...
Edinburgh Fringe Review: Entrails, theSpace @ Venue 45
Joseph Heller’s 1961 novel Catch 22 has influenced myriad visual material for many artists, creating a platform to explore images of trauma and pain within the ...