Jonathan Goddard: “I find the darker characters easier to play”
Man of many talents, Jonathan Goddard talks to Josephine Balfour Oatts about his exciting new, Arthur Pita helmed dance piece, The Mother. Luckily, the pill...
Crystal Pite
Review: Ballet British Columbia, Sadler’s Wells Theatre
Interrogating the nature of ballet itself, this boldly experimental performance goes far beyond the bounds of expectation. Made up of three distinctive pieces w...
Review: MC 14/22 (Ceci est mon corps) / Emergence, Sadler’s Wells
Following a successful run at the Edinburgh Fringe Festival 2016, Scottish Ballet return to Sadler’s Wells with the double bill MC 14/22 / Emergence by Angelin ...
Review: Betroffenheit, Sadler’s Wells
Co-created by choreographer Crystal Pite, her company Kidd Pivot, and actor-playwright Jonathon Young of Electric Company Theatre, Betroffenheit returns to Sadl...
Feature: The female side – New English Ballet Theatre
With a multi-disciplinary focus and bold ambitions, New English Ballet Theatre is a company on a mission. “Feminism and female empowerment are buzz words in ...
Review: The Associates, Sadler’s Wells
Sadler’s Wells has bestowed the accolade of 'associate artist' to 16 choreographers, giving this select group of creatives their golden seal of approval. The As...