Feature: Spotlight on Jeremy Kingston
Many interviews begin with a bit of history and finish by looking forward to the future. When chatting to critic Jeremy Kingston, however, we decided to start b...
Criticism
When critics get it wrong
The methodology and approach to theatre criticism is changing, and changing rapidly. It’s a truism to claim that the rise of digital technology and online med...
Filskit Theatre Blog: The Importance of ‘The Critic’
“There is only one thing in life worse than being talked about, and that is not being talked about.”
Oscar Wilde
After our debut performance of Snow White a...
Taking Notes: Is the National Theatre living up to it’s name?
There is something deliciously quaint about Terrence Rattigan’s ‘After the Dance’ at the National Theatre. It captures the dying days of an all-drinki...
Internship’s The Thing
Trends come and go. In everything, there is a trend. So, perhaps unsurprisingly trends are readily coming and going within the theatre world, and none more prol...
Save our theatre! (From the older generations)
The title of this post is pretty bold, but I feel under the circumstances there is every right to be bold, and brash. The theatre of the future, of even today n...