Review Edinburgh Fringe: A Machine to See With
The Fringe presents plenty of opportunities for audiences to pretend to be someone else, but when wearing the shoes of another where would you draw the line...
Lois Jeary
Edinburgh Fringe review: Belleville Rendez-vous
Cabaret singers, mime artists in whiteface and a ragtag bunch of musicians welcome you to the Belleville Rendez-vous – a French cabaret bar in the Fifties - w...
Review: Double Feature 1
It is perhaps a sign of the times that the Double Feature – a Depression-era money-making scheme – has found itself on London's South Bank. Indeed, the Nati...
Win a copy of the Theatre Uncut plays!
To coincide with A Younger Theatre's interview with Theatre Uncut's Hannah Price and Clara Brennan, Oberon Books has kindly provided five copies of 'Theatre Unc...
Theatre Uncut brings protest to the stage
Hannah Price was not alone in her frustration as she watched George Osborne present the government's Spending Review to the House of Commons last October. Yet...
Curtain down on 2010
As we brave our way through this winter of discontent, it seems an appropriate time to look back at the past twelve months and try to assess whether 2010 was ...
