Review: Natalia Osipova Triple Bill, Sadler’s Wells
Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commis...
Contemporary
Review: For Now, I am…, Lilian Baylis Studio
Whilst a spinal cord injury may seem like the end of a professional dancer’s career, Australian performer and choreographer Marc Brew proves that it is possible...
Review: Aditi Mangaldas Dance Company – Timeless, Southbank Centre
“Timeless is not an answer, not a statement, not an opinion nor a single perspective. It is a question… in fact many questions. It is an attempt to see…. to fee...
Review: Alice: A New Musical, St James Theatre
This adaptation of Alice in Wonderland is definitely recognisable from the well-known book and countless film adaptations. If there was one word to use to diffe...
Review: Nothing Compares to You, University of York
Bryony Lavery is a prolific playwright, and has written some well-known, cracking plays that are lyrical and evocative. Her play Nothing Compares to You, howeve...
Review: The Rite of Spring/Petrushka, Sadler’s Wells
Commissioned by Sadler's Wells as part of 2013’s ‘String of Rites’ series, celebrating the centenary of the premiere of Stravinsky’s original, Michael Keegan-...