3.0
Review: Faust: That Damned Woman, Lyric Hammersmith
Based on the story of Doctor Faustus, in which our hero sells his soul to the devil in exchange for the possession of all human knowledge, Chris Bush’s Faustus...
Chris Bush
3.0
Review: Pericles, National Theatre
The National Theatre delivers perfection and an antidote to the Brexit blues in its stunning adaptation of Pericles: a defiant celebration of inclusivity, diver...
Review: Accidents and Emergencies, Lost Theatre
At some point, all of us will find ourselves languishing in the waiting department of A&E, six hours and thirty coffees away from bellowing at some poor nur...
Feature: Daniel Evans on Sheffield Theatres – “a jewel in the city’s crown”
Daniel Evans is the Artistic Director of Sheffield Theatres, comprising the Crucible, the Crucible Studio and the Lyceum, all of which good-naturedly share ...
Edinburgh Fringe Review: The Loves I Haven’t Known
The Loves I Haven’t Known confesses to be “an almost entirely true story based on things that never actually happened”. Sparking off all kinds of existential ni...