Anya Reiss has form when it comes to adaptations. Her version of Frank Wedekind's Spring Awakening, a co-production between Headlong, West Yorkshire Playhous...
I’ve run rehearsals in the past for very small projects; I’ve been an assistant director sitting in on rehearsals and taking notes, giving feedback and providin...
The subtitle of Nicholas Ridout’s Passionate Amateurs: Theatre, Communism and Love, and its central argument – “that theater in modern capitalism can help u...
The Cherry Orchard is a play about change. The outdated aristocracy comes under threat from the emerging middle class, and must adapt or fall victim to progress...
Singing has been and always will be my first passion. My joy for singing has only increased over the years, although my discovery of acting in college now com...
Three Kingdoms at Lyric Hammersmith
At the very end of King Lear (by that Shakespeare bloke) there is a spectacular snippet of verse that includes the line “s...