Review: Camden Fringe, Gone, The Lion and Unicorn
In Original Impact’s production of Megan Jenkins’ Gone, different narratives from different times in history appear to centre around one park and its habit of m...
Camden Fringe Festival
Victoria Cano: “We are taught that assault can only be one way”
Josephine Balfour Oatts talks to playwright and actor Victoria Cano about simplifying the grey area of sexual assault and consent. Three years ago, Victoria Ca...
Review: Camden Fringe, Super Hamlet 64, The Cockpit
“All the world’s a game. And all the men and women merely players” says a projection of Mario, of Super Mario fame, to the audience. Why is Mario branching out ...
Review: Of Course I’m Hot, I’m 50! Lion and Unicorn Theatre
Of Course I’m Hot…I’m 50! is an engaging feminist play that addresses the responsibilities women take on throughout their lives that usually go unacknowledged, ...
Review: Romeo and Juliet, Rudolf Steiner House
The tale of Romeo and Juliet is a universal tale, one of conflict, sorrow and love; the fact that it’s such a well-known story means it faces the challenge of a...
Review: Cockamamy, Lion and Unicorn Theatre
Cockamamy, the definition means ludicrous; implausible. But is this production, part of the Camden Fringe Festival, a true representation of its definition? ...