Review: Lunatic, Theatre N16
If you are not familiar with the story of Dracula by Bram Stoker, it would be easy to misinterpret this detailed account between a doctor and his patient as baf...
Naomi Kerrigan Asress
Review: Where the hell is Bernard?, The Space
As the audience enter a set with strong indications of a dystopian future, one could suggest that Haste Theatre were inspired by literary classics such as Orwel...
Feature: Black Theatre Live’s Hamlet, and why it matters to have all-black theatre
Earlier this year, Warwick University launched an innovative online database, charting the Shakespearean roles played by Black, Asian and Minority Ethnic actors...
Review: Thrive, artsdepot
Before entering the modern theatre space at artsdepot, the audience are given one piece of advice: trust your instincts. We begin by filling out luggage tags wi...
Review: Toy Soldier, Jack Studio Theatre
Jonathon Crewe’s theatrical directing debut at the Jack Studio Theatre immerses the audience into what is probably unfamiliar territory for the majority. Toy So...
Review: Giant, Greenwich Theatre
Giant opens to London audiences after a successful run in Edinburgh. The Human Zoo Theatre Company welcomes and interacts with the audience as they are getting...
Naomi Kerrigan Asress
Born and bred East Londoner, I currently work at the Barbican Centre assisting on projects to engage communities and young people. I have always been passionate about theatre and the power it has to help understand the world we live in. Being dual heritage, I think it is vital that theatre reflects all members of society and I'm keen to find new ways of doing this.