3.0
Review: The Boy with the Bee Jar, The Hope Theatre
Listen to an audio version of the review here. George Rowlands, in his professional debut, shows extreme promise and sensitivity with his portrayal of the j...
Bruntwood Prize
3.0
Guest Blog: Judging the Bruntwood Prize for Playwriting
Image: Katherine Soper - Winner of the 2015 Bruntwood Prize for Playwriting. This year the Bruntwood Prize for Playwriting celebrates its tenth anniversary, ...
Feature: Chris Urch – “I try to write for people who don’t go to the theatre”
It’s almost two months since Chris Urch’s play Land of Our Fathers, finished its West End run at Trafalgar studios, but the playwright is showing no signs of st...
Review: Freak, Theatre503
Despite an entire Edinburgh run and considerable publicity around Anna Jordan, its Bruntwood Prize-winning playwright/director, Freak still managed to be an ent...
Edinburgh Review: Britannia Waves the Rules, Summerhall @ Roundabout
With a towering Bruntwood Prize-winning reputation to uphold, hopes were high for this portrayal of individual youth surrounded and trapped by a world much bigg...
Feature: Microcosm – should we be scared of people younger than us?
John Lightbody in rehearsal for 'Microcosm' (c) Katie Cotterell After graduating in Theatre from the University of Hull Matt Hartley “didn’t have a clue” wh...