Roy Alexander Weise: “A Lot of Black People Haven’t Felt Like We’re in This Together”
Missed it over on Instagram Live last week? Fret not... In our seventh AYT in Isolation episode, we speak to the particularly delectable, Roy Alexander Wei...
Bristol Old Vic
4.0
Review: Wild Swimming, Bristol Old Vic
The stage within Wild Swimming is a liminal space, within which time is constantly shifting and the actor-character distinction is fluid. It’s equall...
Isobel McArthur: “Jane Austen wouldn’t have been able to write this book without servants”
Approaching one of Austen's most celebrated stories with some snobbery, Isobel McArthur decided there was only one way to tell Pride & Prejudice. Emma Bent...
Being Given Space Should Be Normal, But it is Completely Exceptional, Rare and Should be Applauded
Julia Head went from working Box Office at the Bristol Old Vic with her friend Marek to forming theatre company, Full Rogue. Now their show, Wild Swimming is o...
3.0
Review: Peter Pan, Troubadour White City Theatre
A Peter Pan where the Darlings are in Nike trainers and Pan looks as though he’s just flown from Wicked’s Emerald City, this National Theatre and Bristol Old V...
Audrey Brisson on Amélie: “We all have that need and desire to connect with one another”
Jennifer Thompson interviews Audrey Brisson who stars in the titular role of Amélie The Musical. They chat about short rehearsal processes and enduring audienc...