3.0
Review: Future Cargo, The Place
Listen to the audio version here. Sitting at home I am instructed, through headphones,
to dial my volume to the max and then down a couple of notches. As I ...
Ben Ringham
3.0
5.0
Review: ANNA, Dorfman Theatre
Wires snake around hips and scatter across the shoulders, feeding into a set of headphones. Once fitted about one’s ears, the audience are free to stare at the...
Review: Machinal, Almeida Theatre
Sophie Treadwell’s Machinal, written in 1928, explores the entrapment of women in the societal systems they have (short of killing) no control over. Presented a...
Review: Apologia, Trafalgar Studios
Apologia, noun: a formal written defence of one’s opinions or conduct, not to be confused with an apology. Directed by Jamie Lloyd, Apologia is a volatile famil...
Review: Queen Anne, Theatre Royal Haymarket
Helen Edmundson’s Queen Anne makes a convincing case that this neglected monarch deserves more attention and that the powerful Duchess of Marlborough, Sarah Chu...
Review: Motor Show
In a dusty forgotten part of Greenwich, set against the backdrop of Canary Wharf and the financial district, Motor Show is being driven for a sold-out audience....