Jonathan Goddard: “I find the darker characters easier to play”
Man of many talents, Jonathan Goddard talks to Josephine Balfour Oatts about his exciting new, Arthur Pita helmed dance piece, The Mother. Luckily, the pill...
Arthur Pita
Review: Stepmothers/Stepfathers, The Place
Arthur Pita, creator of the awarding-winning 2011 adaptation of The Metamorphosis, is back with another stomach-churning production. His new piece, Stepmothers/...
Review: Ballet Black: Triple Bill, Theatre Royal Stratford East
Ballet Black, founded by Cassa Pancho in 2001, aims to provide dancers of Black and Asian descent with inspiring opportunities in Classical Ballet. It is an unf...
Review: Natalia Osipova Triple Bill, Sadler’s Wells
Natalia Osipova has followed the lead of French prima-ballerina Sylvie Guillem by throwing herself into the world of contemporary dance in her first self-commis...
Review: Ballet Black: Triple Bill, Barbican Centre
A black curtain provides the barrier between stage and audience for three works from Ballet Black, a professional company for dancers of black and Asian descent...
Review: The Bodyguard Musical
The Bodyguard has just undergone its biggest cast change since opening on the West End last year, and the creative team certainly took a few risks. Every sing...