Review: Exit the King, National Theatre
“An attempt at an apprenticeship in dying” That is Eugène Ionesco’s ambition when he writes his most classical play Exit The King in 1962. Being part of the ...
Amy Morgan
Review: Touch, Soho Theatre
Vicky Jones’ Touch is as punchy, hilarious and perceptive as one might expect, following the huge success of Phoebe Waller-Bridge and DryWrite’s Fleabag. The st...
Review: Travesties, Apollo Theatre
From a typically quizzical perspective, Tom Stoppard's 1974 play Travesties presents the memories and fantasies of an amnesiac elderly man named Henry Carr. Tom...
Review: Red Velvet, Garrick Theatre
The day before I saw Red Velvet at The Garrick the audience evacuated the auditorium. The various authors of social media reported loud cracking sounds halfway ...
Review: The Beaux’ Stratagem, National Theatre
Initially I was somewhat sceptical of seeing The Beaux’ Stratagem; on the surface it looked to be another standard middle-class male hunt for the prettiest and ...