5.0
Review: The Memory of Water, Hampstead Theatre
The mind is a
fickle thing: sometimes we struggle to recall a name or a word that we have
used a hundred times over; on other occasions, we so vividly remember...
Alice Hamilton
5.0
4.0
Review: The Dumb Waiter, Hampstead Theatre
I think it’s fair to say that 2020 has been mostly horrendous, especially for theatre. But finally, a glimmer of hope can be seen as theatres are allowed to re...
Review: The March on Russia, Orange Tree Theatre
The March on Russia is the story of an old couple and their three middle-aged children on their 60th Wedding Anniversary. Set in the playwright’s (David Storey)...
Review: Orca, Southwark Playhouse
It’s no surprise that Orca, as Matt Grinter’s first full length play, has already been awarded the 2016 New Writing Prize by Papatango. It’s such a brilliant pi...
Review: German Skerries, Orange Tree Theatre
Quiet little place, this. But you can see everything from this grassy patch of birdwatching land, out to Redcar, Middlesborough, the British Steel plant, the ro...
Feature: Alice Hamilton and Barney Norris of German Skerries, “Audiences decide what a play is”
As a young theatre company, Up In Arms has already traversed the best new writing stages with two plays written by their co-Artistic Director, Barney Norris. Wh...