4.0
Review: Youth Without God, Coronet Theatre
It is a stroke of genius. Christopher Hampton has decided to adapt Ödön von Horváth’s novel Jugend ohne Gott into a play. Set in the late 1930s, during the hei...
Alex Waldmann
4.0
Review: Julius Caesar, Barbican
Directed by Angus Jackson, Julius Caesar is the first of four productions presented by the Royal Shakespeare Company as part of their Rome Season. Written by Wi...
Feature: Nina Segal – How do you explain a shooting to a child?
“I make work about the things that keep us awake at night” says Nina Segal on a busy New York morning. The beauty of Skype made the five hour gap unnoticeable. ...
Review: The Wars of the Roses, Rose Theatre
In what has been described by Robert O’Dowd, Chief Executive of the Rose Theatre, as their "biggest and most ambitious project to date", Trevor Nunn’s revival o...
Feature: Treading the boards with Alex Waldmann
Image by Richard Hubert Smith With widely praised performances in several major UK theatres, Alex Waldmann is carving out a name as one of the country's most...
Review: Jonah and Otto, Park Theatre
Robert Holman is a playwright rarely revived. The Park Theatre’s staging of his 2008 play Jonah and Otto will be the first of his works to be produced in London...