Review: Schism, Finborough Theatre
In twenty years the relationship between Katherine (Athena Stevens) and Harrison (Tim Beckmann) is planned, realised and eventually demolished. Not unlike the b...
Alex Marker
Review: Flowering Cherry, Finborough Theatre
I am filled with admiration when watching how the relationships between men and women functioned in the time before colour television. It must have been indesc...
Review: London Wall
The synopsis of John Van Druten’s 1931 play London Wall (filmed twice for television, but rarely seen since) calls to mind a British Mad Men. It’s telling t...
Review: Tape
Tape is one of those plays that has style. It takes a while to become immersed in the strange dialogue and eccentric characters, but once it finds its flow,...
Review: Fanta Orange
Inspired by an Amnesty International report, Fanta Orange gives a selective insight into modern Africa. Raised in Kenya, Sally Woodcock's new play at Finborough...
Review: Me and Juliet
It’s probably fair to say that there’s a professional production of at least one of Rodgers and Hammerstein’s “Big Five” musicals (Oklahoma!, Carousel, South ...