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“An attempt at an apprenticeship in dying” That is Eugène Ionesco’s ambition when he writes his most classical play Exit The King in 1962. Being part of the ...
Soho serves once more as the backdrop for this new version of Patrick Marber’s previous ‘loose adaptation’ of Moliere’s tragicomedy Don Juan. Not much has chang...
As I am fascinated by the interwar period and am always intrigued by ‘lost’ novels and plays, this production of After the Dance by Terence Rattigan dir...
There is something oddly familiar with Alan Bennett's new play, The Habit of Art now playing at the National Theatre. It has nothing to do with Artistic Directo...