Review: Thebes Land, Arcola Theatre
It’s not often that a show will tell you, within its script, that you’ll be giving it a good review - but then Thebes Land is no ordinary play. Daniel Goldman’s...
adaptation
Blog: Paul Warwick on adapting Shakespeare for kids
Paul Warwick is a director and producer and co-founder of China Plate. Macbeth - Blood Will Have Blood is an adaptation of Shakespeare’s play aimed at 9-13 year...
Edinburgh Fringe Review: All Quiet on the Western Front, Pleasance Courtyard
In this, the centenary year of the Battle of the Somme, Incognito Theatre’s all-male ensemble have adapted Erich Marie Remarque’s All Quiet on the Western Front...
Review: Gatsby, Union Theatre
I’m sitting in the Union Theatre bar with a glass of Merlot, and within a matter of seconds I am transported back to the Roaring Twenties. Members of the ensemb...
Review: Hetty Feather, Duke Of York’s Theatre
Jacqueline Wilson books were firm favourites of mine as I was growing up, and considering she has penned in excess of 100 children’s books, I’m sure Wilson’s li...
Review: Jekyll and Hyde, Platform Theatre
Jonathan Holloway's reincarnation of Stevenson's Gothic classic Jekyll and Hyde claims to "appropriate and reinvigorate the story for contemporary audiences" an...