4.0
Review: Stick Man, Rose Theatre
At last - as we pull free of a second national lockdown - theatres are brushing off the cobwebs of an empty year gone by and once again becoming a place of esc...
London
4.0
3.0
Review: BEIGE, MAGNA
Pre-recorded Zoom shows can be difficult, especially when they revolve around dialogue: it is far too easy to fall into stilted timing and a slightly unnatural...
3.0
Review: Hildur Guðnadóttir: Chernobyl, The Barbican
Hildur Guðnadóttir: Chernobyl is a video of an immersive, experimental performance of the soundtrack to HBO's hit-drama Chernobyl. The series, which has been c...
4.0
Review: GHBoy, Charing Cross Theatre
Pounding music and moody purples flood the stage, drowning out any and all inhibitions. The half-naked young men cut up lines and rip poppers, seeking highs fr...
3.0
Review: The Fabulist Fox Sister, Southwark Playhouse
It’s 1892. Reaching the end of her life and career as the inventor of seances, Kate Fox materialises through The Fabulist Fox Sister, a bewitchingly hilarious ...
4.0
Review: The Creatures of Prometheus, Philharmonia Orchestra
This is my first online concert and I’m honestly not too sure what to expect as I sit on the sofa in my living room, with a charmingly simplistic drawing of a ...