Review: English National Ballet – Modern Masters, Sadler’s Wells
After still basking in the afterglow of Lest We Forget last year, I was intrigued and excited to see what Tamara Rojo and her diverse range of dancers were goin...
Vikki Jane Vile
Review: FIRST 2015: Dark Dates, Tristan Bates Theatre
The Tristan Bates Theatre is a hugely appropriate venue for a vampire-themed tale in that there is no natural light to speak of. As the popular FIRST series con...
Review: Tango Fire: Flames of Desire, Peacock Theatre
The Tango Fire Company of Buenos Aires has been winning universal praise across the globe since 2005, when the five couples it features came together to create ...
Review: The Railway Children, King’s Cross Theatre
Nesbit’s classic story of The Railway Children is one that is thought of with great affection. It is a wonderfully traditional and uncomplicated tale and at the...
Review: Edward Scissorhands, Sadler’s Wells Theatre
There are some combinations that you just know will be a winner and in this case, Matthew Bourne, Edwards Scissorhands and Christmas is one of them. Reviving hi...
Review: Ballet Revolucion, Peacock Theatre
The October drizzle on press night at the Peacock Theatre meant this midweek audience had good reason to start their evening a little more reserved than normal....
Vikki Jane Vile
Vikki Jane Vile is a freelance writer specialising in dance, regularly contributing to Dancing Times magazine and LondonDance.com. Her career has included work for London Children’s Ballet and South East Dance in administration and marketing capacities. She has also reported on the annual MOVE IT dance show as their offical blogger and taken part in English National Ballet's writing course, Dance is the Word.