Review: The Crystal Egg, The Vaults
How does one immerse a 21st century audience in a Victorian science fiction story about Martians? That is the question…and The Crystal Egg is the answer. Th...
Tricia Wey
Review: Hyperion, The Cockpit Theatre
Now, I don’t know much about clowning, so I wholeheartedly invite any of you out there who do to use your own knowledge to supplement this review. Hyperion i...
Review: Child’s Play, New Diorama Theatre
“Let’s go treasure hunting. Shall we go treasure hunting? Let’s go treasure hunting.” That’s the question X, Y and Z (characters who are only named in the pa...
Review: Hiding Heidi, Etcetera Theatre
Brexit.
We know it; we all have feelings about it; it is oft-talked about. And divisive subject material is always a gold mine for creatives. Ian Dixon Potter’...
Review: Glengarry Glen Ross, Playhouse Theatre
Firstly, let me warn you, if you have an aversion to swearing, take some time to prepare yourself before seeing Glengarry Glen Ross: there are F-bombs abundant....
Review: Antigone, Greenwich Theatre
“A brother condemned to walk forever in the shadow of death
A family teetering on the brink of catastrophe
A dystopian world where one girl dares to take a s...
Tricia Wey
Tricia is an awkward being who is often more hair than actual person. She loves theatre, especially immersive, and all creative pursuits. Her accent will confuse you and she often mixes her Americanisms with her UK turns of phrase. Follow her on instagram: @tricia.wey and her blog for further (sometimes less socially upstanding) thoughts and ramblings...when she is proactive enough to turn said thoughts and ramblings into actual words: https://triciasway.wordpress.com/