Review: Spamilton, Menier Chocolate Factory
Gerard Alessandrini is no stranger to parodying Broadway musicals and now, the mind behind the Forbidden Broadway canon’s latest subject of parody is Lin-Manuel...
Tricia Wey
Review: Bellwether, Stockwell Playhouse
Bellwether is a quiet, gated community, full of happy suburbanites; it is safe and nothing bad happens there. That is until six-year-old Amy Draft goes missing ...
Review: The Buzz, Bread & Roses Theatre
Kyla is bored. Josh is arrogant. Cordelia is wounded. And Nate just wants to change the world. The Buzz is a stylishly-executed four-hander, dealing with fam...
Review: Caroline, Or Change, Hampstead Theatre
Before we get into this, let’s contextualise the surroundings. Because y’all know I love the experience as a whole. So, first off: the Hampstead Theatre is a cu...
Review: Muso, Grant Museum of Zoology
One of my favourite things about London is its offering of museums, and not just the classics, like the V&A and the Science Museum. You can come across a lo...
Review: The Internet was Made for Adults, The Vaults
Back at the Vaults, guys! This time for the Vaults Festival 2018: a super exciting few weeks of new work from all kinds of talent, both discovered and undiscove...
Tricia Wey
Tricia is an awkward being who is often more hair than actual person. She loves theatre, especially immersive, and all creative pursuits. Her accent will confuse you and she often mixes her Americanisms with her UK turns of phrase. Follow her on instagram: @tricia.wey and her blog for further (sometimes less socially upstanding) thoughts and ramblings...when she is proactive enough to turn said thoughts and ramblings into actual words: https://triciasway.wordpress.com/