Review: Chimera, Gate Theatre
As part of the Gate's season of 'compelling, complex female protagonists' (Who Does She Think She Is?), Chimera is a transfer from New York's Public Theater. Wr...
Senne Vercouteren
Review: Howie the Rookie, The Pit
The 1999 Mark O'Rowe play Howie the Rookie was written as a two-hander, but the writer decided on a different version not long ago, which is now at the Barbican...
Review: Beauty of the Beast, The Place
Company Chameleon has it all: in not much more than an hour, the cast do virtually all the styles of dance to the widest variety of music. The six men explore t...
Review: The Collector, Arcola Theatre
After winning a Fringe First at this year's Edinburgh Fringe, The Collector is at the Arcola for a week showing off its critical treatment of the war in Iraq. H...
Review: The Prisoner’s Dilemma, Cockpit Theatre
American company Burning Coal revives three of David Edgar's plays on the 25th anniversary of the fall of the Berlin Wall. Your reviewer saw The Prisoner's Dile...
Review: Pomona, Orange Tree Theatre
"Everything bad is real." Moe (Sean Rigby) the security guard appears to give the audience a clue, somewhere in the second half of this mind-bending drama. Set ...
Senne Vercouteren
An aspiring theatre producer, Senne Vercouteren graduated from the Courtauld Institute and Birkbeck's MA in Creative Producing. Apart from writing for AYT, he has worked for The Corner Shop and interned at Bill Kenwright Limited. @SenneVercoutere