Review: Let the Right One In, Lost Theatre
Being informed that a show you're about to see is unsuitable for under 13s may just be one of the worst things one could ever hear. I mean Signs was bloody horr...
Samuel Sims
Review: In The Heights, King’s Cross Theatre
On a night out in Vauxhall some time ago, my pal tried to teach me some salsa. "Moi? Salsa? I couldn't possibly!" The rhythm necessary unfortunately alludes me,...
Review: Wuthering Heights, Ambassador’s Theatre
Helping young people accomplish their dreams is a bit of alright in my book, and especially when they are at a serious disadvantage because of a lack of money. ...
Review: The Father, Wyndham’s Theatre
Writer Florian Zeller has expressed his keenness on this piece - on this journey to not simply be voyeuristic but for the audience to become lost in a mental la...
Review: Kinky Boots, Adelphi Theatre
Bugger me, this show makes you want to go out and party. My boyfriend has mentioned having a drag inspired birthday shindig next year and at first I was very sk...
Review: Photograph 51, Noel Coward Theatre
“I suppose she just wasn’t exceptional enough”: at first a seemingly passing statement but in the final moments of Anna Ziegler’s play, Photograph 51, Nicole Ki...
Samuel Sims
Managing Director
Sam is a freelance writer with work published in Vice, the ipaper and The Stage, among others. He hails from Hull, 2017's City of Culture so you probably won't understand a word he says.