Review: Aladdin, Price Edward Theatre
Based on the (teensy bit) popular 1992 Disney film and hugely successful Broadway show, Aladdin has finally arrived in the West-End. As one would expect from Di...
Samuel Sims
Review: The Spoils, Trafalgar Studios
At once energetic and breathtakingly self obsessed, Jesse Eisenberg's protagonist, Ben never initially exudes malicious intent, however by the end of Act One, y...
Review: Guys and Dolls, Phoenix Theatre
The classics really do have their mega-fans. Chuckles and guffaws are thrown at the stage like a downpour of die on a poker table and my neighbour looks fit to ...
Review: Goosebumps: Alive, The Vaults
Deep in the groin of Waterloo station, the memories of many a grown-up come to life, but only threaten to be nostalgic. For me and many other twenty-odd (and...
Review: Sunset Boulevard, London Coliseum
The earth shattering, appreciative and rather long applause that greets Glenn Close as she makes her entrance on to the Coliseum’s stage may feel a little disru...
Review: The Witches, Rose Theatre Kingston
Of all of Roald Dahl’s books, The Witches has got to be one of the scariest for a young child to even entertain. The idea of an adult woman hating children and ...
Samuel Sims
Managing Director
Sam is a freelance writer with work published in Vice, the ipaper and The Stage, among others. He hails from Hull, 2017's City of Culture so you probably won't understand a word he says.