Review: The Pearl Fishers, London Coliseum
Another revival for ENO and one that yet again aims to catapult its audience's senses into oblivion. But where many of the company's previous efforts have been ...
Samuel Sims
Review: Clive and Other Stories, Peckham Asylum
I can't think of a more perfect setting for such a disturbing and dark opera than this one: Peckham's eerily atmospheric Asylum, which sits idly and, quite fran...
Review: Bakersfield Mist, Duchess Theatre
There's something wonderfully appealing about seeing a Hollywood star break away from their pedestal to tread the boards of a small West End theatre. Kathleen T...
Review: The Silver Tassie, National Theatre
Bound by disturbing realities and mortifying contrasts, Sean O'Casey's World War I play, The Silver Tassie has just begun its three month run at the Nationa...
Review: Rapunzel, Sadler’s Wells
The Easter holiday is well under way and in theatre world there's a bunch of really cool things going on. I've been to a couple of shows now that are market...
Review: My First Ballet: Coppelia, Peacock Theatre
Coppelia is a comic ballet first performed in Paris in 1870, enjoying great success until the run was interrupted by the Franco-Prussian War and siege of Pari...
Samuel Sims
Managing Director
Sam is a freelance writer with work published in Vice, the ipaper and The Stage, among others. He hails from Hull, 2017's City of Culture so you probably won't understand a word he says.