Review: Nutcracker, English National Ballet
There's something about going to London's Coliseum that makes me feel warm and secure, rather like when you're a kid and there's nothing to worry about apart ...
Samuel Sims
Review: Ushers: The Front of House Musical, Hope Theatre
This is such an intriguing project and, I imagine, a lot of fun for both James Rottger and Kouban productions to create, and then see take off. It's a massive...
Review: Let The Right One In, Royal Court Theatre
Though Let The Right One In is partially centred on a vampire, it is primarily not a horror or even regarded as particularly supernatural. Like John Ajvide ...
Review: The Snowman, Peacock Theatre
I think everyone will agree that the idea of Christmas without a flying snowman is a horrific and offensive one and, well, actually it's just blasphemy. Every y...
Review: The Magic Flute, English National Opera
The English National Opera (ENO) has once again created something unexpectedly modern and beautifully raw with Mozart’s The Magic Flute, but how on earth does...
Review: Romeo and Juliet, Ambassadors Theatre
With alumni including Academy- and Olivier-award winner Dame Helen Mirren, James Bond's Daniel Craig and Downton Abbey's Golden Globe nominated Michelle Docke...
Samuel Sims
Managing Director
Sam is a freelance writer with work published in Vice, the ipaper and The Stage, among others. He hails from Hull, 2017's City of Culture so you probably won't understand a word he says.