Review: The Edge, Rich Mix
Two people from very different backgrounds are profoundly affected by rising sea levels in this dystopian imagining of the near future: one from an English coas...
Rebecca Pinnington
Review: The Nether, Duke of York’s Theatre
Jennifer Haley’s The Nether explores an interesting and increasingly pertinent concept; the idea of catfishing, deception, and the diverse identities we adopt o...
Review: Show 4: Glitterland – Secret Theatre, Lyric Hammersmith
Glitterland is a country where the politicians perform daily. It is an act in which they deny their corruption, and an act in which they must present themselves...
Review: Bull, Young Vic
Following the success of King Charles III and Cock, Mike Bartlett’s Bull lands at the Young Vic with a bang. A darkly comic and violent emotional rollercoaster ...
Review: Private View, Theatre Delicatessen
Following runs at the Edinburgh Fringe and the Courtyard Theatre, Plunge Theatre brings Private View to Theatre Delicatessen. The piece is a critical look at ho...
Review: The Life of the Party, Menier Chocolate Factory
The Life of the Party is a musical revue celebrating the work of Broadway composer Andrew Lippa, who has written such great musicals as The Wild Party, The Adda...
Rebecca Pinnington
Rebecca is a second year modern languages student at University College London. In between reading French philosophy and conjugating irregular verbs, she watches and performs in as much theatre as possible, especially musicals, which are one of her two greatest passions (the other is cats). As well as AYT, she has written for Broadway Baby at the Edinburgh Fringe and her university newspaper.