Review: All My Sons, Regent’s Park Open Air Theatre
Arthur Miller’s All My Sons is a modern classic, the moral lessons of which remain strikingly pertinent even today, nearly 70 years after it first premiered, an...
Rebecca Pinnington
Review: Object of My Affection, Shaw Theatre
For one night only, MurleyDance stopped off at the Shaw Theatre with its spring tour, Object of My Affection. A classical dance company that prides itself on it...
Review: Dorian Gray, Riverside Studios
Dorian Gray has the potential to truly haunt its audience, painting a picture of a society in which moral behaviour is eschewed in favour of vanity and thrill-s...
Review: The Gut Girls, Brockley Jack Studio Theatre
Sarah Daniels’s The Gut Girls follows the women of Deptford Foreign Cattle Market, who work 12 hours per day chopping meat for London’s many butchers. The w...
Review: Elegies for Angels, Punks and Raging Queens, White Bear
Elegies for Angels, Punks and Raging Queens is a dramatic and musical theatre piece, with music by Janet Hood and book and lyrics by Bill Russell, comprised of ...
Review: I Love You Because, Theatro Technis
I Love You Because is not exactly a masterpiece: its plot is fairly generic, its characters are not especially well-developed, and its songs are in places so si...
Rebecca Pinnington
Rebecca is a second year modern languages student at University College London. In between reading French philosophy and conjugating irregular verbs, she watches and performs in as much theatre as possible, especially musicals, which are one of her two greatest passions (the other is cats). As well as AYT, she has written for Broadway Baby at the Edinburgh Fringe and her university newspaper.