Review: The Mother, The Tricycle
Criticising the conventional depiction of the nuclear family, Florian Zeller’s The Mother invites the audience to witness the breakdown of the family unit throu...
Marcus Emmanuel
Review: Slap, Theatre Royal Stratford East
A forceful strike that leaves an aftermath of lingering pain defines the word slap, and is a fitting characterisation of Dominique in Alexis Gregory’s play of t...
Review: James and the Giant Peach, Mercury Theatre
The six weeks holiday remain a treat for children and a nightmare for adults as they face the challenge of keeping them entertained. With the outdoors being unp...
Review: The Pyramid Texts, Soho Theatre
As part of the Soho Theatre’s Soho Solo Season 2015, Christopher Fairbank delivers an emotionally charged monologue that, similar to Martin Scorsese’s 1980 clas...
Review: Hippolytus, The Hope Theatre
A black box room is the first thing you see when you enter The Hope Theatre. Watching Hippolytus, the second thing you see is actor Ben Scheck. Scheck, who play...
Review: St Joan, Courtyard Theatre
One of the great debates the UK is currently facing at the moment is the controversial topic of immigration, and on stage at the Courtyard Theatre is the epitom...
Marcus Emmanuel
Having attended Theatretrain performing arts school for almost a decade, Marcus spent his teenage years in the spotlight performing on stages across London. Paving a career for himself in the creative and artistic industries after obtaining a degree, Marcus is returning to his theatre roots in the hopes of encouraging young people to view the theatre as a cultural and social experience.