Review: The Cause, Jermyn Street Theatre
The Cause is written in three segments separated by both time and location. Firstly we are presented with Sandor Teleki (Tony Wredden), a painter of Hungarian h...
Lydia Lakemoore
Review: Firebird, Trafalgar Studios
Firebird tells the excruciating tale of a fourteen-year-old girl named Tia who we see groomed into a Asian sex ring and brutally abused. Tia, played by Callie C...
Review: Shafted!, Cast Theatre
The language of John Godber’s latest work Shafted! is simple and conversational. Godber confessed, during the post-show discussion, that this is the first draft...
Review: Mountain Language | One for the Road | The New World Order, Milton Court Studio Theatre
The Guildhall School of Music and Drama presents an abstract trio of Pinter, taking scenes from Harold Pinter's One for the Road, The New World Order and Mounta...
Review: Big Brother Blitzkrieg, King’s Head Theatre
What if Adolf Hilter were a contestant in the Big Brother house? What if his outspoken manner and aggressive insanity made him popular with the viewing public? ...
Review: African Gothic, Park Theatre
Two people, an unshaved male, dirty and unkempt, along with a young woman in a similarly dishevelled manner, embrace one other on a grimy and stained matress. ...
Lydia Lakemoore
After developing a fascination, initially with, regional theatre at a very young age I decided at 18 to study Acting at Arts Educational Schools London which only increased my, possibly unhealthy, obsession with writing and literature. I love seeing new and experimental theatre, and London has it in spades, but for me, you just can't beat the classics!