Review: Chilcot, Battersea Arts Centre
Were we lied to? Was it legal? Was it wrong? Was it avoidable? What were the consequences? Chilcot answers none of these questions. Chilcot cleverly presents yo...
Lydia Lakemoore
Review: Here All Night, The Print Room
Here All Night is an evening of what can only be described in laymans terms, as a Beckett appreciation event. It consists of a variety of extracts from Beckett'...
Review: Scenes from 68* Years, Arcola Theatre
The power of Scenes From 68* Years lies not in showing us war, bombs and battles, but in its observations of human suffering in the every day lives of people af...
Review: Haram Iran, Above The Stag
Haram Iran is possibly the most current play on the London scene right now. Set in modern day Iran it follows the story of two 15-year-old boys who are convicte...
Review: Punching the Sky, Cast Theatre
Every mother loves talking about her own child. This is what is presented to us in Punching the Sky, where a mother rambles on about her own marvellous offsprin...
Review: Miss Atomic Bomb, St James Theatre
The world premiere of any new show automatically brings with it a certain level of anticipation and excitement. The world premiere of a new musical featuring st...
Lydia Lakemoore
After developing a fascination, initially with, regional theatre at a very young age I decided at 18 to study Acting at Arts Educational Schools London which only increased my, possibly unhealthy, obsession with writing and literature. I love seeing new and experimental theatre, and London has it in spades, but for me, you just can't beat the classics!