Review: Il barbiere di Siviglia, Royal Opera House
The Royal Opera House hosts an utterly triumphant revival of Moshe Leiser and Patrice Caurier’s production of Gioachino Rossini and Cesare Sterbini’s classic op...
Lydia Lakemoore
Review: Yerma, The Young Vic
The story of Lorca’s classic Yerma is relatively well known. It is frequently performed at different theatres around the country often with a few modern twists ...
Review: Twelfth Night with a Cast of Comedians, Udderbelly
What an exciting prospect this play looked at first glance. Twelth Night, Shakespeare’s comedy classic, performed solely by a team of London’s most exciting com...
Review: The Kreutzer Sonata, Arcola Theatre
Last night I was treated to one of the most curious little plays I have ever seen. I use the word curious as I am, admittedly, trying to determine exactly why I...
Review: A Quiet House, Park Theatre
Most of us will be familiar with the term IVF as a process used for the conception of a baby. But few of us are familiar with what the actual reality of that te...
Review: Hobson’s Choice, Vaudeville Theatre
This is a traditionally staged, loyal to style, West End version of Hobson’s Choice. It has every bell and whistle that the producers could throw at it; a big, ...
Lydia Lakemoore
After developing a fascination, initially with, regional theatre at a very young age I decided at 18 to study Acting at Arts Educational Schools London which only increased my, possibly unhealthy, obsession with writing and literature. I love seeing new and experimental theatre, and London has it in spades, but for me, you just can't beat the classics!