Review: 946: The Amazing Story of Adolphus Tips, The Globe
Emma Rice's work is theatrical marmite. You either love it or hate it. For some, her productions for Kneehigh were endlessly innovative, relentlessly entertaini...
Fergus Morgan
Review: How We Think We Think, King’s Head Theatre
Heart To Heart Theatre's How We Think We Think begins inauspiciously. Peter Dewhurst as Tom ushers the audience to their seats, then haltingly embarks on a prep...
Review: Present Laughter, Richmond Theatre
Noël Coward tends to take a bit of a bashing nowadays. The average Coward production is about as unfashionable as its octogenarian audience is unaware of where ...
Review: Undermined, Old Red Lion Theatre
For a while, it was considered unfashionable to be too overtly partisan in political theatre. Undermined, Danny Mellor’s hour-long one-man show about the mining...
Review: I Have Been Here Before, Jermyn Street Theatre
Ask someone to name a JB Priestley play, and they'll instantly say An Inspector Calls, probably because they studied it at GCSE. Ask them to name another and th...
Review: Might Never Happen, King’s Head Theatre
In 2014, a video uploaded on Youtube, secretly filmed from a rucksack, showed clips of a woman in jeans and a crew-neck walking the streets of New York City for...
Fergus Morgan
Fergus is a recent graduate, splitting his nomadic life between a part-time football administration job in Oxford, his family home in sunny Suffolk, and the fringe theatres of London. Since finishing uni, he has devoted as much time as he possibly can to writing about the theatre, to the detriment of both social life and bank balance.