Review: Much Ado About Nothing, Theatre Royal Haymarket
The four friends that depart for the Western Front at the end of Christopher Luscombe’s Edwardian reimagining of Love’s Labour’s Lost for the RSC, return in his...
Fergus Morgan
Review: Love’s Labour’s Lost, Theatre Royal Haymarket
The RSC’s twin productions of Love’s Labour’s Lost and Much Ado About Nothing have enjoyed a sparkling few years, first playing to acclaim in Stratford-upon-Avo...
Review: Magnificence, Finborough Theatre
It’s not difficult to see why the Finborough has programmed a revival of Howard Brenton’s Magnificence. Written in 1973 during a time of financial crisis, IRA t...
Review: Blue Heart, Orange Tree Theatre
It’s probably a good idea to have a coffee or three before seeing David Mercatali’s revival of Blue Heart, Caryl Churchill’s 1997 double-bill of tongue-twisting...
Review: Lost in the Stars, Union Chapel Islington
Highbury Opera Theatre’s production of Lost In The Stars – Kurt Weill’s last musical-cum-opera – in Islington’s Union Chapel is actually the work’s London premi...
Review: Skin a Cat, The Bunker
Skin A Cat should be compulsory viewing for anyone under 25. Scratch that, it should be compulsory viewing for everyone. A hysterically funny, warm-hearted, aut...
Fergus Morgan
Fergus is a recent graduate, splitting his nomadic life between a part-time football administration job in Oxford, his family home in sunny Suffolk, and the fringe theatres of London. Since finishing uni, he has devoted as much time as he possibly can to writing about the theatre, to the detriment of both social life and bank balance.